People archive

Keith Wayne

Born
January 16, 1945
Died
September 9, 1995

Ronald Keith Hartman, known professionally as Keith Wayne, was an American actor, singer, musician, educator and chiropractor best remembered for portraying Tom in George A. Romero’s landmark 1968 film, *Night of the Living Dead*.

A native of Washington, Pennsylvania, Keith grew up in nearby Houston, the son of Vincent and Margaret Hartman. He began performing at just five years old, appearing at charitable and social events throughout the Tri-State area. He later explained that he adopted the professional name Keith Wayne “because it sounded good and I hated Ronald.”

For seven years, Keith was a member of the Betty Dugan Starlets on Parade. He appeared regularly on Pittsburgh radio and participated in seasonal programmes on KDKA-TV, where he worked as a master of ceremonies, dancer and singer.

While attending Chartiers-Houston High School, Keith took part in the school’s musical and vocal productions. He was a member of both the chorus and band and participated in county, district and state chorus programmes. His passion for performance continued at Mansfield State College, where he spent four years with the band, chorus and College Players. His stage credits included leading roles in productions of *Julius Caesar*, *Bus Stop*, *The Golden Apple*, *Carousel*—in which he portrayed Billy Bigelow—and *The Visit*.

Keith graduated with a Bachelor of Science degree in Music Education. Following graduation, he was offered graduate acting assistantships at Southern Illinois University, Villanova University and the University of Connecticut. He accepted the position at Connecticut but ultimately decided that it was not the direction he wished to pursue.

During his college years, Keith led a band called Ronnie and the Jesters, which toured the Midwest and upper New York State for three consecutive summers. The band’s successful 1966 season reportedly included an appearance on a bill with The Beatles in Milwaukee, Wisconsin. Keith was recognised as a rising talent during his senior year, and a record was produced that showed considerable promise, although legal complications prevented it from receiving a full commercial release.

After college, Keith launched his professional career in Pittsburgh with a six-week engagement at the Las Vegas Club on Route 51. During this appearance, he met Jules Kruspir—professionally known as J. J. Jules—the former manager of The Marcels and manager of The Dynatones.

Keith subsequently recorded the single “Say Hey, Hey Hey,” backed with “It Ain’t Necessarily So,” for the St. Clair label. He toured in support of the record, appearing in Dayton, Springfield, Mansfield, Lima, Cleveland and Cincinnati, Ohio. His promotional appearances included Chuck Brinkman’s *Come Alive*, *Channel 9 Teen Time* and programmes throughout Pittsburgh, Steubenville, Allentown, Bethlehem and the Philadelphia area. On December 3, 1966, he appeared at LeRoy’s Record Mart, signing photographs for customers who purchased his recording.

Keith’s association with *Night of the Living Dead* began in 1967, when Richard Ricci saw him singing at a club. During their conversation, Keith mentioned that he had received acting training, and Ricci invited him to audition for the role of Tom. Keith won the part, joining the small cast of the independently produced film that would go on to transform horror cinema.

Filming required a demanding travel schedule. Keith was also performing at the Gaiety Follies in Myrtle Beach, South Carolina, and later recalled leaving Myrtle Beach early on Sunday mornings, flying to Washington and then Pittsburgh, arriving on set by mid-afternoon, filming for several days and returning to Myrtle Beach in time to perform during the weekend.

Looking back on the production, he remembered it warmly: “What was it like? The best of times. It was fantastic. There wasn’t a dull moment. Nothing was dull.”

For his work on the film, Keith chose a payment of $1,500 plus expenses rather than a two-percent share of the gross profits. He used the money to purchase a new car, which he remembered as “a great big Lincoln.”

Following *Night of the Living Dead*, Keith worked in television for several years with *The Bill Roberts Show* and performed as a singer with the Unyted Brass Works band. Over time, however, his ambitions and priorities began to change. Although he had built a successful career as an entertainer, Keith later explained that acting had never been his original goal. “I wanted to be an engineer,” he recalled.

After meeting and falling in love with Brenda Fox, Keith chose to leave the entertainment industry and largely retired the name Keith Wayne. He moved to Cary, North Carolina, and in 1984 began a new professional life as Dr. Ronald Keith Hartman, chiropractor.

Dr. Hartman became a respected and active member of his profession. He served as president of the Eastern District of the North Carolina Chiropractic Association and was affiliated with the North Carolina Chiropractic Association, American Chiropractic Association, ACA Sports Council, Wake County Chiropractic Society, Southeastern Chiropractic Federation and the State School Health Education Advisory Committee.

He also became deeply involved in powerlifting. While continuing to operate his chiropractic practice full-time, Dr. Hartman began competing in 1989 and participated at an international level, including competition in Australia. In 1990, he was ranked first in the nation at the National Masters Powerlifting Championship. He served on the United States Powerlifting Federation’s Medical and Chiropractic Committee and was chairman of the North Carolina Powerlifting Association Medical Committee from 1986 until 1990.

Beyond his professional and athletic achievements, Dr. Hartman contributed to his local community, serving as chairman of the Cary United Way Campaign in 1987.

As the twenty-fifth anniversary of *Night of the Living Dead* approached, interest in Keith Wayne and the film’s legacy began to grow. In a 1992 interview, Keith spoke candidly about reconnecting with the identity and career he had left behind:

“I buried that person and now that person is being resurrected. And it’s frankly difficult.”

Asked whether he wanted to know that person again, he replied:

“Yes, I do. Because unless I deal with that, I’m really not going to be happy. I’m either going to have to grieve this person, or I’m going to have to marry it into the life I have now. I don’t want to confront it. I want to hold it in my hands.”

In 1993, Keith joined fellow cast members at the Zombie Jamboree for the twenty-fifth-anniversary reunion of *Night of the Living Dead*. There, he signed memorabilia and met fans who had travelled from around the world to celebrate the film. His appearance gave admirers a rare opportunity to meet the man behind Tom and allowed Keith to reconnect with an important part of his earlier life.

Ronald Keith Hartman died on September 9, 1995. He was survived by his wife, Brenda Fox Hartman, and their children, Preston Vincent Hartman and Leaia Diane Hartman.

Although his screen career was brief, Keith Wayne became part of a film whose cultural impact has endured for generations. Through his memorable portrayal of Tom, his musical and theatrical accomplishments, and his later contributions to healthcare, sport and his community, Ronald Keith Hartman left behind a varied and remarkable legacy. He continues to be remembered with great affection by the cast, filmmakers and worldwide community of *Night of the Living Dead* fans.

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