Director Bret Wood’s Hell’s Highway examines the real-life driver’s education shorts that gained a fearsome reputation, pairing archival classroom footage with interviews and a newly reconstructed, remastered presentation.
Screamify Green-Lights ASMR Medical-Horror ‘Crack’ Starring Peyton Grace Bell, Alexander Molina and Tuesday Knight
Screamify has approved production on Crack, an ASMR-themed medical horror feature directed by Calvin Morie McCarthy. The film follows a celebrity chiropractor whose live spine-adjustment stream ends in a fatal on-camera incident. Principal photography is scheduled for this fall in Portland, Oregon, with the film set to premiere exclusively on Screamify later this year.
Review: Eli Roth’s Ice Cream Man Delivers Relentless Practical-Effects Mayhem
A splatter-forward entry from Eli Roth, Ice Cream Man trades subtlety for nonstop gore, inventive kills and a brisk runtime—designed for fans who want their horror loud and messy.
American Horrors to Release Early Billie Eilish Footage on Patreon August 7
American Horrors will publish rare behind-the-scenes footage featuring a young Billie Eilish on its Patreon on August 7 as part of the channel’s 15th anniversary programming.
Review: Teenage Sex and Death at Camp Miasma — A Dazzling, Oddball Slasher with Heart
Jane Schoenbrun’s Camp Miasma blends slasher tropes, queer romance and cosmic weirdness into a visually sumptuous, emotionally charged picture anchored by Gillian Anderson and Hannah Einbinder.
Fantasia 2026 Roundup: Corrin Evans’ Corpus Debuts While Louise Weard’s Castration Movie Excerpt Provokes Strong Reactions
At Fantasia in Montreal, Corrin Evans premiered Corpus, a steamy 1997-set thriller focused on intimacy and consent, while Louise Weard screened a two-hour excerpt of her sprawling Castration Movie anthology that drew intense audience response.
Fantasia 2026: Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma Debuts to Strong Response
Jane Schoenbrun’s third feature, Teenage Sex and Death at Camp Miasma, screened at Fantasia in Montreal, where the filmmaker and cast discussed community, queer filmmaking, and the film’s slasher-surreal blend.
Review — Urban Legends: Final Cut (2000): A Meta Slasher Set in Film School
The 2000 follow-up transplants the action to a film academy and favors meta-humor and whodunit mechanics over genuine scares, making it a fun but flawed sequel.
Review: Eli Roth’s Ice Cream Man (2026) Critiqued as Soggy, Soulless Horror
Horror Press finds Eli Roth’s Ice Cream Man to be largely ineffective — a film with a simple killer-kids premise, weak effects, and little personality.
Bottleneck Gallery Posts On‑Sale Info for HALLOWEEN II by Matt Ryan Tobin and DAY OF THE DEAD by Will Robson
Bottleneck Gallery has shared on‑sale information for two new artist prints: a fiery HALLOWEEN II alternative poster by Matt Ryan Tobin and a DAY OF THE DEAD piece from Will Robson that centers on Bub and the film’s zombies.