Pakistani filmmakers are increasingly turning technical ambition into visible VFX progress, and some commentators say that momentum could make room for more ambitious zombie and horror films.
Examples of technical strides
- The article cites Zombeid (2026) as a locally significant creature feature that demonstrated a higher standard of VFX for Pakistan.
- The Legend of Maula Jatt (2022) is highlighted for an early-sequence decapitation that surprised audiences with polished visual work.
- Prosthetic makeup combined with digital enhancement is noted as part of the approach used on recent projects, enabled by increased funding and technical collaboration.
- Production houses such as Geo Films and Filmwala Pictures are mentioned as employers willing to back unconventional, effects-driven films.
Lessons from mixed results
- Not every recent effort landed: Deemak (2025) is pointed to for inconsistent CGI and effects that were seen as dated.
- Some productions brought in international VFX talent—for example, a Canadian VFX producer was hired on Deemak—yet final visuals still divided opinion.
Challenges and the road ahead
The piece frames these developments against longer-standing structural issues: shrinking cinema infrastructure, inconsistent production calendars, funding shortfalls, and intense competition from international content. Industry voices quoted in the original column argue that stronger scripts and careful development work are needed alongside technical advances.
Overall, the assessment is cautiously optimistic: improved local VFX capability, combined with willing investors, could open the door to a broader range of horror and zombie films in Pakistan — and the column suggests a follow-up like Zombeid 2 is plausible if momentum continues.
Source: ScreenAnarchy — Echoes: Has Pakistani VFX Improved Enough for More Zombie / Horror Movies?